Rayne, a second-grade homeschooled girl in Alabama, had long struggled with learning to read. Despite multiple song-based programs, nothing had clicked. Her adoptive mother, Pam Jones, was growing concerned — not just about Rayne’s literacy but also her waning self-confidence.
At a conference in New Orleans, Pam met Kim, the creator of Learn to Read With Music, during a casual poolside encounter. Kim mentioned her music-based phonics program, specifically designed for children with challenges like Rayne’s. Intrigued, Pam gave it a try when she returned home.
Pam quickly noticed a shift. The music was not just tolerable — it was enjoyable. Rayne and her younger sibling were immediately engaged. Within weeks, Rayne, who once said, “I can’t read,” realized she was reading even outside of the lessons. Fluency replaced frustration, and confidence replaced self-doubt.
Learn to Read With Music became a central part of their homeschooling routine, complete with worksheets, book lists, and structured lessons that made teaching easier and more joyful for Pam.
Kim, the creator of Learn to Read With Music, spent over 30 years as a songwriter and more than 15 performing for children before pivoting to literacy education. Four years ago, she began building her phonics program, determined to make music the gateway to reading.
Her approach was clear:
Starting the business from scratch wasn’t easy. But stories like Rayne’s have reaffirmed Kim’s mission: to help children who struggle with conventional drills and uninspiring materials fall in love with learning through music.
This case blends several powerful narratives:
A parent’s persistence in finding the right learning tool. A child’s transformation through confidence and fluency A founder’s vision, rooted in creativity and experience. A model for effective homeschooling througH multi-sensory design
It also illustrates key meta-skills:
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